How did the training you received (acting, voice, dance, etc.) prepare you for your career?
I walked into ACD a non dancer, but by the time I left, I had a complete respect for the art form and I felt like my technique had vastly improved thanks to the dance department. As a vocalist, I also left with a vast knowledge about different methods I received from the vocal repertoire and vocal technique professors – I have them all to thank for my training!
How has your career evolved since leaving ACD?
Since leaving ACD, my career has gone from strength to strength!
My first job took me across the Caribbean and the Mediterranean, performing in the West End show Choir of Man onboard Norwegian Cruise Line. We visited places like Mexico, the U.S. and British Virgin Islands, and then in the Med, destinations such as Greece, Croatia, and the Azores—all of which were wonderful experiences.
During the early part of this year I also had the chance to submit for The Buddy Holly Story for the 2025/2026 UK/Ireland tour, which I booked last March.
The show is immensely fun and is running until the 1st June 2026, and although we don’t play in Dublin next year, we will be performing in the Grand Opera House in Belfast from March 31st – April 4th.
We started rehearsals for three and a half weeks in August and our opening night was at the Hippodrome Theatre in Birmingham. It was a surreal experience and definitely a pinch me moment!
What does a typical day look like for you in your current role touring with the Buddy Holly Story?
A typical day touring with Buddy would start in the morning with a hearty breakfast, followed by some script work to get ready for the show.
We would normally be called into the theatre early on the first day of a new venue, but on a normal one-show day, we would be called into the theatre about an hour and a half before the show for a company physical and vocal warmup to get everyone show ready.
We would then get our half hour call by 6:55, and would start getting into costume and getting ready to perform.
What has been your favorite role or project so far, and why?
My favourite role has to be the Barman on Choir of Man. Along with the perks of traveling to all of these different locations, it was amazing to work in such a high energy show and call it my job. The show was vocally and physically challenging in a myriad of ways, but it was equally as rewarding when, every night, 1000+ people gave standing ovations. The people who I met during this project have remained a big part of my life to this day. Choir of Man was also my first contract after training at ACD, so it will always hold a special place in my heart!
What advice would you give to current musical theatre students?
If I were giving advice to current students, I’d tell them to really throw themselves into exploring different acting techniques. Don’t just stick to what feels comfortable. Try everything. The more tools you have, the better you’ll be when you get out into the industry.
I’d also say to develop your instrument, whatever that is for you. Your voice, your body, your movement – all of it matters. Keep up the physical and vocal training. Dance, movement, breath work, voice exercises… those habits will carry you through eight show weeks and long rehearsal days.
And honestly, don’t underestimate the power of genuine relationships. Networking isn’t about collecting contacts. It’s about connecting with people. The classmates beside you now, the tutors guiding you, the directors and crew you meet along the way – they’re the people you’ll cross paths with again in the real world. Treat those relationships with care and respect.
What musical or role is on your bucket list?
This is a hard question, as there are quite a few roles on my bucket list, but my top three would have to be Phantom (The Phantom of the Opera), Jean Valjean (Les Misérables), and Frankie (Jersey Boys). They’re dream roles for different reasons, and each one inspired my love for theatre in its own way.
How do you stay motivated and creatively fulfilled?
For me, staying motivated and creatively fulfilled is about keeping myself engaged in the work. I keep my skills sharp by taking classes or workshops whenever I can. It’s not just for auditions; it helps me stay connected to the craft and to other performers. Being around people who love the same things always gives you a lift.
I also find it really helpful to have someone you trust like your parents, a friend, or peer you can check in with. Someone you can run lines with, share goals with, and support each other during the quieter spells. Those relationships make a huge difference.
And honestly, looking after your body is a big part of it. Exercise, rest, proper downtime: all of that is essential. Your body is your instrument, and when you’re feeling good physically, your head is clearer, your creativity flows better, and you just work at a higher level.